FLOSS Manuals is a great initiative that creates, maintains and gives access to a collection of manuals that explain how to install and use a range of free and open source software. The manuals are friendly and simple, and they are intended to encourage people to explore the wide range of free, open source alternatives to expensive and restrictively licensed software. Since Open Images adopts FLOSS in general and the open video codec Ogg Theora and related open source software in particular, the upcoming Book Sprint looks very valuable:

We will hold Book Sprint about Ogg Theora in August (10-15). We will write a really good manual (book) about Ogg Theora in 5 days. The event will be in Berlin.

We want to cover a lot of stuff, but we hope to get our teeth into at
least some of the following :

about
-what is theora?
-why do you want it?
-codec basics
streaming
-tss (theora streaming studio)
-commandline ffmpeg2theora, dvgrab, oggfwd
-icecast
-gstreamer
-vlc
-jroar
transcoding
-firefogg
-ffmpeg2theora
-thoggen
-ogg convert
editing
-oggchopz
-pivitv
-oggtools
video conferencing
-empathy
-ekiga
-linphone
distribution
-wikipedia
-archive.org
-html5
subtitling
-cli embedding of subtitles in ogg
-web based subtitle replay with jquery.srt
playback
-vlc
-ff

We are keen to get anyone to the sprint that wants to come. There is
some limited travel funds…if anyone would like to attend please let me
know!

adam

Today we’ll give an exclusive preview of the Open Images platform at the exiting Open Video Conference in New York City. This preview is part of the Birds of a Feather session on Audiovisual Archives we are co-hosting. Read more about this session here.

Other interesting cases presented during the session are:

• Al Jazeera Creative Commons Repository
• American Archive
• MediaBurn

You can read our introduction here.

Open Source Video Software: An Inventory (OpenDocument Text file, 52 KB)

This inventory is the result of an ongoing effort at the Netherlands Institute for Sound and Vision R&D Department at creating an insight in the current availability of open source software for video. The main reason for this research is the current development of Open Images, but it is also aimed at expanding our institutional knowledge and expertise, and to share this within research projects and (collaborative) software development. The goal is to get an overview of the available tools for the whole spectrum, from production to distribution and ultimately consumption. Next to this, we also consider processes involved with preservation, interaction and creative reuse of video.

The publication of this document is meant as a first step towards sharing this knowledge and transforming this research into a collaborative effort. We hope this document can become a starting point for a more comprehensive and elaborate inventory. To make this possible we have used an OpenDocument Text file for this document and licensed it under a Creative Commons license. So feel free to correct and/or add information to this inventory, or – for instance – convert the document into a wiki!

For the less ‘open’ readers, there is also a PDF version.

UPDATE: The Open Video Alliance has adopted the inventory on its wiki, making it possible for anyone to contribute!

Tomorrow Open Images will attend Walled Garden, a two-day conference in Amsterdam. From their website:

This international working conference will approach the development and future challenges of the current Web 2.0 through exploration, experimentation and exchange of knowledge. Our goal: a blueprint for policy makers, funders and practitioners that works towards a public garden.

Walled Garden will address issues of identity, mobile communities and networks by focussing on the tendency towards online gated and closed communities. How does this affect the accessibility of information and knowledge?

Now is the time to identify success factors and failures of Web 2.0 and to imagine and initiate new tools and strategies for the future Web. Our Walled Garden will be explored through conversations in form of structured group dialogue, open plenary sessions, discussions and face-to-face meetings with artists, researchers, theorists and technologists.

To get an idea of what we hope to gain from this conference, this is our participation statement:

Why Open Images should participate at Walled Garden?
As part of Images for the Future – the largest digitalization operation of audiovisual cultural heritage in Europe – the Netherlands Institute for Sound and Vision and Knowledgeland are developing Open Images. The aim of this project is to offer online access to a selection of archive material for creative reuse. Reuse includes remixing of archive footage in new videos. Open Images also supports interlinking with other data sources (like Wikipedia), allowing the easy creation of mashups. Access to the content will be based on the Creative Commons model which proposes a middle way to rights management, rather than the extremes of the pure public domain or the reservation of all rights. The ‘open’ nature of the project is underscored by adapting open formats and using open source software. Software resulting from Open Images will also be released under a open source license. Participating within the P2P-Fusion EU co-funded research project the Netherlands Institute for Sound and Vision is also exploring the ways that peer-to-peer file sharing technology can contribute to the legal distribution and reuse of audiovisual content.

Open Images can be seen as an effort of the Netherlands Institute for Sound and Vision to embrace the means that new media offer to invite a broader audience to get into contact with a selection of its archive – in some eyes a walled garden in the physical world. Paradoxically – or not? – this kind of ‘digital outreach’ could lead to an intimate interaction with audiovisual heritage.

What does Open Images hope to gain from Walled Garden?
The Netherlands Institute for Sound and Vision hopes to contribute to/expand its own knowledge about openness within the cultural heritage sector and beyond. Topics of interest: open content, open source, remix culture, user created content, social media, peer-to-peer

Concluding we would like to stress that we are very happy to be part of the Future Cultural Organisations working group:

The “future cultural organisations” workgroup is a 2 day session in which we will attempt to sketch a fictional organisation using networks as a playground. From the personal experience of the participants, we will try to filter which online services make a difference and what are the pros and cons of online autonomy in the post web 2.0 era.

The development of the project started with a kick-off meeting at Knowledgeland in Amsterdam, earlier this month. The aim-of-the-day was to map the (open source) digital video solutions that are available today and to get feedback. Eight experts in the digital video field where invited to this informal brainstorm session. After an introduction of Images for the Future and the Open Images project plan, the invited experts gave inspiring presentations of their current work. At the end of the day there was a general discussion about the project plan and the first steps that ought to be taken.

Please find a report of this day below. Open Images aims to launch a Beta release by the end of the year.

Bits on the Run (Jeroen Wijering)

After building the worlds most used Flash video player on the internet (JW FLV Media Player), Jeroen Wijering used his experience to co-found Bits on the Run. This is a “hassle-free” video hosting service for all types of video content (video-centric), that charges its users based on their usage of bandwidth. The service offers a broad set of features, including; hosting, statistics, streaming, encoding, subtitling, annotation, audio descriptions, skins, embedding, downloading, RSS, etc. The service also offers an API (that mimics the one Flickr uses).

Pad.ma (Jan Gerber & Sebastian Lütgert)

Jan Gerber and Sebastian Lütgert develop many digital video projects based around the idea that digital media have the potential to make the complete history of cinema accessible online. This sometimes means they move in a legal grey-area. 0xdb is a database of movies that have been shared via peer-to-peer networks. It uses the BitTorrent protocol to extract information about the movie, of which the database creates meaningful representations (timelines, previews, etc.). Pad.ma is a derivative of the 0xdb technology, but with some important differences. It is a collaboration with Indian NGO’s, activists, and documentary filmmakers and only contains legal content, since all material is open content. It serves as a decentral searchable footage archive – with manually edited meta data – and offers downloads of the content using peer-to-peer technology. Pad.ma is released as open source software under GNU GPL and uses the Ogg Theora open standard video format.

Tribler (Freek Zindel)

Tribler is a peer-to-peer file sharing application with a social component, developed by TU Delft and funded by the EU. Sharing and finding (both legal and illegal) content via BitTorrent is enhanced with recommendations, tagging, and anti-freeloading mechanisms. On top of this Tribler offers additional functionality for video, including; instant previewing, video-on-demand and live streaming (all via peer-to-peer technology). At any given time there are 4.000 people online using the application, and there are 150.000 torrents in the system. Tribler is released as open source software under LGPL.

SURFmedia (Alexander Blanc)

SURFnet recently launched a complete video distribution platform called SURFmedia, offering live streaming and video-on-demand for the higher educational sector on the SURFnet 1 GB network. Because of its user group SURFmedia is a closed system, and was hence developed from scratch. At the end of this year the core of the platform will be released as open source software, under the name SURFmediaCore. There will also be some pilot projects with third parties who will develop their own front-end on top of this core.

General Discussion (all)

During the general discussion the experts express some concerns about the size and goals of Open Images. They stress that the project shouldn’t try to reinvent the wheel, but should rather make use of the (open source) video solutions and (open content) platforms that are out there. The experts advise to seek co-operation with and/or to build upon existing projects with a similar focus. Mapping the possibilities for this is indeed our primary goal for this kick-off meeting.

The experts are also sceptical about the assumption within the project plan that there will be a substantial interest from the general public to invest time and effort in the creative reuse of the open content. They ask how “interesting” the available material actually is and stress the need for a careful selection. Furthermore they suggest that the project should focus more on showcasing and spreading the material, because to them this implicitly seems to be the primary goal of the project. The experts advise to start with a (thematic) selection of the material on Open Images and to distribute this selection through as many outlets as possible, to first see what happens. This implicates that the project team at first needs to invest in developing a good interface for showcasing and distributing the open content, and exchanging material with other outlets. Technically facilitating the creative reuse of the open content on Open Images can – if requested – always be added within a secondary (or parallel) development trajectory.