Hundreds of Items Added to the Platform

In 2010 we have uploaded hundreds of interesting items to the platform from the historical newsreel collection of the Netherlands Institute for Sound and Vision, reaching the milestone of a thousand items available on the platform on the UNESCO World Day for Audio Visual Heritage in October. In our selection procedure some themes received special attention; sports, performing arts, winter, technology, and Indonesia.

This year the Sound and Vision was not the only contributor of content to the platform. Other wonderful additions to Open Images were done by the EYE Film Institute Netherlands, the Institute for Network Cultures and the Dutch National Committee May 4th and 5th.

API Launched

In September Open Images launched its open API. Items published on the platform and their descriptions (metadata) and are accessible through an Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH). This enables third parties to retrieve the stored metadata and media files in a structured way, making it easy to reuse material from the platform in their own applications (for example to create a mashup).

Video on Wikipedia

Since the start of the project, Open Images has contributed its audiovisual content to Wikimedia Commons to enable reuse of video on Wikipedia, for instance to ‘illustrate’ an article.

At first the ‘donation’ to Wikimedia Commons was a manual process, but in 2010 – in collaboration with Wikimedia Netherlands – we were able to fully automate this process, thanks to the Open Images API. As a result Open Images is now responsible for almost 12% of the video content available on Wikimedia Commons, hence being one of the biggest contributors of video that is reusable on Wikipedia.

We are getting more and more insight in the impact of the availability of Open Images material through Wikimedia Commons. We’ve learned that a large proportion is used to enrich over 550 entries on Wikipedia with related audiovisual content. In December 2010, these entries were viewed nearly 1.2 million times. This shows the great potential for the cultural heritage sector to collaborate with the Wikimedia Foundation to reach new and greater audiences within a meaningful context.

New Projects Reusing Open Images

When Open Images was launched in 2009 the material was almost immediately reused within several projects, including the OPEN CITY audiovisual archive of urban life from the Dutch public broadcaster VPRO and the ArtTube video platform about art and design from the Boijmans Van Beuningen Museum in Rotterdam.

In 2010, tens of projects, small and large, were added to the list. Among them Picture War Monuments, a location-aware iPhone app that enriches the on-site visit to war monuments with audiovisual heritage, including newsreel footage and oral history video material on the Second World War available through Open Images. Another notable initiative was Image on a Map (‘Beeld in kaart’), a Google Maps mashup for the educational sector in the Netherlands combining several (educational) video sources – including Open Images – within a map interface. With this interface users are able to filter results based on subject (geography or history), location and time period.

What’s Next?

In 2011 the Open Images platform will receive a major update, with both functional and visual improvements. Part of this update is the realisation of portal functionality, allowing third party content providers to build and manage their own entrance to the platform (think: http://partner.openimages.eu). This will, for example, allow them to highlight their own contributions to the platform and to design their presence on the platform according to their own wishes and branding.

The platform functionality is part of a larger campaign we are organising to attract more third party content keepers to contribute to an even larger and more diverse offering of open audiovisual content through Open Images. This campaign will focus on public broadcasters, regional and local archives and broadcasters, institutional archives and business archives.

Finally, we would proudly like to mention our nomination for the Museums and the Web – Best of the Web Award 2011 in the category ‘Innovative / Experimental’.

Today we’ll give an exclusive preview of the Open Images platform at the exiting Open Video Conference in New York City. This preview is part of the Birds of a Feather session on Audiovisual Archives we are co-hosting. Read more about this session here.

Other interesting cases presented during the session are:

• Al Jazeera Creative Commons Repository
• American Archive
• MediaBurn

You can read our introduction here.

In March we started the development of Open Images. The first task at hand was drafting the Functional Design for our open media platform together with our MMBase developer André van Toly, d+g design. We finished this first phase in the development in April. Since Open Images is an open source media platform, we will also share our Functional Design document under a Creative Commons Attribution-Share Alike 3.0 Netherlands license!

We expect to have a beta version of Open Images online at the end of this June. We will present the platform at the Open Video Conference (more on this in an upcoming post).

Please click here to download the document.

Open Source Video Software: An Inventory (OpenDocument Text file, 52 KB)

This inventory is the result of an ongoing effort at the Netherlands Institute for Sound and Vision R&D Department at creating an insight in the current availability of open source software for video. The main reason for this research is the current development of Open Images, but it is also aimed at expanding our institutional knowledge and expertise, and to share this within research projects and (collaborative) software development. The goal is to get an overview of the available tools for the whole spectrum, from production to distribution and ultimately consumption. Next to this, we also consider processes involved with preservation, interaction and creative reuse of video.

The publication of this document is meant as a first step towards sharing this knowledge and transforming this research into a collaborative effort. We hope this document can become a starting point for a more comprehensive and elaborate inventory. To make this possible we have used an OpenDocument Text file for this document and licensed it under a Creative Commons license. So feel free to correct and/or add information to this inventory, or – for instance – convert the document into a wiki!

For the less ‘open’ readers, there is also a PDF version.

UPDATE: The Open Video Alliance has adopted the inventory on its wiki, making it possible for anyone to contribute!

The development of the project started with a kick-off meeting at Knowledgeland in Amsterdam, earlier this month. The aim-of-the-day was to map the (open source) digital video solutions that are available today and to get feedback. Eight experts in the digital video field where invited to this informal brainstorm session. After an introduction of Images for the Future and the Open Images project plan, the invited experts gave inspiring presentations of their current work. At the end of the day there was a general discussion about the project plan and the first steps that ought to be taken.

Please find a report of this day below. Open Images aims to launch a Beta release by the end of the year.

Bits on the Run (Jeroen Wijering)

After building the worlds most used Flash video player on the internet (JW FLV Media Player), Jeroen Wijering used his experience to co-found Bits on the Run. This is a “hassle-free” video hosting service for all types of video content (video-centric), that charges its users based on their usage of bandwidth. The service offers a broad set of features, including; hosting, statistics, streaming, encoding, subtitling, annotation, audio descriptions, skins, embedding, downloading, RSS, etc. The service also offers an API (that mimics the one Flickr uses).

Pad.ma (Jan Gerber & Sebastian Lütgert)

Jan Gerber and Sebastian Lütgert develop many digital video projects based around the idea that digital media have the potential to make the complete history of cinema accessible online. This sometimes means they move in a legal grey-area. 0xdb is a database of movies that have been shared via peer-to-peer networks. It uses the BitTorrent protocol to extract information about the movie, of which the database creates meaningful representations (timelines, previews, etc.). Pad.ma is a derivative of the 0xdb technology, but with some important differences. It is a collaboration with Indian NGO’s, activists, and documentary filmmakers and only contains legal content, since all material is open content. It serves as a decentral searchable footage archive – with manually edited meta data – and offers downloads of the content using peer-to-peer technology. Pad.ma is released as open source software under GNU GPL and uses the Ogg Theora open standard video format.

Tribler (Freek Zindel)

Tribler is a peer-to-peer file sharing application with a social component, developed by TU Delft and funded by the EU. Sharing and finding (both legal and illegal) content via BitTorrent is enhanced with recommendations, tagging, and anti-freeloading mechanisms. On top of this Tribler offers additional functionality for video, including; instant previewing, video-on-demand and live streaming (all via peer-to-peer technology). At any given time there are 4.000 people online using the application, and there are 150.000 torrents in the system. Tribler is released as open source software under LGPL.

SURFmedia (Alexander Blanc)

SURFnet recently launched a complete video distribution platform called SURFmedia, offering live streaming and video-on-demand for the higher educational sector on the SURFnet 1 GB network. Because of its user group SURFmedia is a closed system, and was hence developed from scratch. At the end of this year the core of the platform will be released as open source software, under the name SURFmediaCore. There will also be some pilot projects with third parties who will develop their own front-end on top of this core.

General Discussion (all)

During the general discussion the experts express some concerns about the size and goals of Open Images. They stress that the project shouldn’t try to reinvent the wheel, but should rather make use of the (open source) video solutions and (open content) platforms that are out there. The experts advise to seek co-operation with and/or to build upon existing projects with a similar focus. Mapping the possibilities for this is indeed our primary goal for this kick-off meeting.

The experts are also sceptical about the assumption within the project plan that there will be a substantial interest from the general public to invest time and effort in the creative reuse of the open content. They ask how “interesting” the available material actually is and stress the need for a careful selection. Furthermore they suggest that the project should focus more on showcasing and spreading the material, because to them this implicitly seems to be the primary goal of the project. The experts advise to start with a (thematic) selection of the material on Open Images and to distribute this selection through as many outlets as possible, to first see what happens. This implicates that the project team at first needs to invest in developing a good interface for showcasing and distributing the open content, and exchanging material with other outlets. Technically facilitating the creative reuse of the open content on Open Images can – if requested – always be added within a secondary (or parallel) development trajectory.